In a sideways manner, the third person makes a marginal note. The broken light makes color, form, and line visible as recurring motifs and images. As a result, a patchwork of associations emerges. We might be able to name these visual elements, but they are misleading. Every work is a conversation, ambiguous and layered.
Jonas Delaey took part in the group exhibition (expo)nentieel at DeNode (2024–2025, curator Hilde Van Canneyt).